Thinking through the visual: Cinematic practice as a productive site of epistemic inversionAuthor: Mntambo, Nduka Source: Journal of African Cinemas, Volume 9, Numbers 2-3, 1 December 2017, pp. 219-230(12)Publisher: IntellectDOI:… 
Thinking through the visual: Cinematic practice as a productive site of epistemic inversion
Author: Mntambo, Nduka Source: Journal of African Cinemas, Volume 9, Numbers 2-3, 1 December 2017, pp. 219-230(12)Publisher: IntellectDOI: https://doi.org/10.1386/jac.9.2-3.219_1
Itinerant/Iterative Cartographies: Explorations in Cinematic PracticeURI: https://hdl.handle.net/10539/29230 
Itinerant/Iterative Cartographies: Explorations in Cinematic Practice
URI: https://hdl.handle.net/10539/29230
The performance lecture served as an exegesis for the installation project on the city titled Asymmetries (2018/19/20). The installation and its various iterations were conceived as a making-thinking-spectatorial research project on the urban, premised on strategies developed through modes of artistic research.
CHALE WOTE.jpeg

Ghana’s ‘Chale Wote’ festival lifts spirits, frees souls

‘The Chale Wote project invites the artists and viewers to reconfigure the coordinates of how we understand our place in our world in ways that are both intriguing and liberating’

https://theconversation.com/ghanas-chale-wote-festival-lifts-spirits-frees-souls-64678

Members from a local church mourn near a site where miners were killed during clashes at the Marikana mine in 2012. Siphiwe Sibeko/Reuters 
Members from a local church mourn near a site where miners were killed during clashes at the Marikana mine in 2012. Siphiwe Sibeko/Reuters

How ‘Marikana: the Musical’ has contributed to cultural amnesia

August 17, 2017 6.31pm SAST

https://theconversation.com/how-marikana-the-musical-has-contributed-to-cultural-amnesia-82651